Vivica Genaux & Les Musiciens du Louvre, dir. Thibault Noally
This concert will take you back to one of these magnificent evenings in London where composers Porpora and Handel battled over music, offering the most beautiful compositions of the genre ever written.
Vivaldi composed all the works of this concert for the famous Venetian foundling institution, the Ospedale della Pieta, where the female musicians, known as the figlie di coro, performed them for international audiences.
A feast of instrumental colour with oboes, bassoons, trumpets, timpani, strings and continuo by the finest composers of the baroque era such as Telemann, Fasch and Vivaldi. For a small fee you can meet the artists after the concert whilst having a drink and some appetisers.
The Grand Salon at the Archaeology Museum is a perfect stage for this delightful evening concert featuring English, French and Italian music from the late Renaissance and early Baroque. The title refers to the first work on the programme by Robert Johnson. For a small fee you can meet the artists after the concert whilst having a drink and some appetisers.
Mediterránea showcases 17th century soloist repertoire in original tablature style by the main "Maestros" of the guitar and the theorbo. Almost all the pieces are presented in a duo format in which the Zapico brothers recreate an improvised accompaniment with a historical approach.
Malta Philharmonic Orchestra, dir. Riccardo Bianchi
Baroque music has been an inspiration for great composers, such as the music of Couperin for Richard Strauss or the music by Bach for Andrea Gottardello. This concert is a beautiful example of these cross fertilizations.
Cantar Lontano, Valletta Baroque Ensemble & the Monteverdi Project
This mass is one of Durante’s most important compositions. The first performance dates back to 1746 in the church of San Giacomo degli Spagnoli in Rome on the occasion of the demise of King Philip V of Spain.
“Reworkings” aims to explore the world of Johann Sebastian Bach’s transcriptions of which there are countless examples such as the Italian concertos by composers like Vivaldi or Marcello who transcribed them for the organ.
Discover some musical treasures from 18th century Naples. Two of the works performed are written by Nicola Fiorenza, composer and violinist known for his eccentric style, who played for many years in the Orchestra of the Neapolitan Royal Chapel.
The Chandos Anthems are a fine collection of sacred choral compositions written by George Frideric Handel at the time when he was composer in residence at Canons, home of James Brydges, who became the first Duke of Chandos in 1719.
EXPLORING BACH'S CANTATAS – DISCOVERY DAY AND PERFORMANCE
Sandy Burnett & Voices and Instruments of Time and Truth
This lecture performance gives insights to Bach’s magnificent Cantatas. Sandy Burnett, one of the UK’s most authoritative broadcasters in the field of classical music, will walk you through the works whilst they are performed live.
Along with the iconic Stabat Mater by Giovanni Battista Pergolesi, the concert will highlight masterpieces of Neapolitan Baroque such as the Dies Irae by Gennaro Manna. The Church of St Catherine is the perfect setting for this spectacular concert.
During the 1670s a powerful school of wind instrument players began to establish itself in Naples. Il Soffio di Partenope presents a small sample of the virtuoso Neapolitan repertoire written for them. It includes, amongst others, works by Alessandro Scarlatti, Nicola Fiorenza and Aniello Santangelo.
Capriccio Stravagante Trio, dir. Skip Sempé (harpsichord)
This concert takes you from one musical era to another. It starts with demonstrating the power of the rich diminution traditions of the Renaissance, when most of the instruments we now think of as “Baroque” - such as the recorder and viola da gamba - were fully de-veloped. Followed by the apogee of writing for the viola da gamba and the recorder fea-turing baroque masterpieces by Marin Marais and Johann Sebastian Bach.
Ensemble Barocco di Napoli with Tommaso Rossi (flute) & Maria Grazia Schiavo (soprano)
In Baroque aesthetics, music not only describes the world of nature, but also the intricate inner geography of the human soul. Di Sospiri e di Tempeste showcases vocal and instrumental masterpieces by Vivaldi and Händel highlighting this descriptive aspect of music
Berlin based pianist Kotaro Fukuma will guide the audience through the finest transcriptions of Bach’s music including Bach-Saint-Saëns’ Overture from Cantata BWV 29 and Bach-Fukuma’s reworking of the Aria ‘Erbarme Dich, mein Gott’.
The beautiful collegiate church of the Immaculate Conception in Bormla is the setting for some of the finest sacred baroque music. Central in the programme are the Stabat Mater versions by Vivaldi and Astorga, together with Galuppi’s Dixit Dominus
The range of songs for theorbo and singer from 17th century Europe offers a delightful overview of the intimate, confessional, syllabic lute songs to a more extrovert, stylised, hit-them-between-the-eyes approach.
The Goldberg Variations have been endlessly transcribed for all sorts of instruments which makes them all the more fascinating. If you ever wondered how they sound on clarinet, violin and marimba, then join the MOA Trio at the Maritime Museum to find out.
PEDRO RUIMONTE - MUSIC AT THE COURT OF THE ARCHDUKES ALBERT & ISABELLA CLARA EUGENIA
La Grande Chapelle, dir. Albert Recasens
Pedro Ruimonte wrote this music between 1601 and 1614 when he was Master of Chamber Music at the Brussels court of the Archduke Albert and his extremely cultured and artistic wife, the Infanta Isabella Clara Eugenia. For a small fee you can meet the artists after the concert whilst having a drink and some appetizers.
Prior to the concert at 6:15 pm the curator of St John's Co-Cathedral, Mrs. Cynthia De Giorgio, will will give a lecture named 'The Infanta Isabella and her gift of Woven Splendour' at the Oratorio illustrating this link and the important role Isabella Clara played for the arts in those days. The lecture is free for those attending the concert and entrance is at first come, first come basis. If you do not have tickets for the concert, you can buy them here: http://bit.ly/32JXlQ9
The eight decades of the presence of Jesuit missionaries among the Chiquitos (1691-1767) and the Moxenos (1680-1767), in the Amazonian forest of eastern Bolivia saw a rapid development of the musical training of the indigenous population. An impressive collection of musical manuscripts had been produced by the composers and copyists of the ancient missions. This concert gives an exquisite overview of that wonderful music. For a small fee you can meet the artists after the concert whilst having a drink and some appetizers.
The countertenor Raffaele Pé and his ensemble La Lira di Orfeo approach the figure of Gaius Julius Caesar with refined musicality and artistry demonstrating contrasting the personality traits of the great general who was capable not only of heroic acts but also of compassion, amorous exhilaration and physical and emotional fragility.
Valletta Baroque Ensemble (ViBE) & Moveo Dance Company
ViBE in partnership with dancers from the Moveo Dance Company, explore the rich repertoire of French and Italian Suites which offer a particularly rich trove of dance movements. Audiences will be transported to a time when the collaboration between music and dance flourished, demonstrating what composers and dance masters of the baroque era thought to be a perfect harmony of artistic expression.
This programme promises to be like a beautiful musical firework display. The works presented were composed during the golden era of Naples with arias written for Farinelli, Cafarelli and other virtuoso castrati, as well as music describing ‘la Tempesta’ by Vivaldi, Porpora, Pergolesi, Hasse, Handel and others.